Our first Hutchins lecture of the 2014-15 academic year, titled “Romance and Reality in the Deep South’s Mythical Mission Past,” will address the nostalgia and romance that has long surrounded the Franciscan and Jesuit missions across America. From San Francisco through the Southwest to the American South, mainstream American history has constructed and perpetuated an idealized, romanticized version of the Spanish mission – complete with Mission Revival architectural styles and reconstructed archaeological sites that sometimes resemble Hollywood stage sets. This illustrated talk draws upon recent archaeological evidence from St. Catherines Island (Georgia) and suggests more historically appropriate perspectives on the mission heritage of the Deep South. The discovery of Mission Santa Catalina de Guale has contributed significantly to knowledge about early inhabitants of the island and about the Spanish presence in Georgia, nearly two centuries before the arrival of British colonists. This lecture will be held in the Pleasants Room at UNC’s Wilson Library.
David Hurst Thomas has served since 1972 as Curator of Anthropology at the American Museum of Natural History. He has organized and directed more than 100 archaeological excavations, including the discovery of Gatecliff Shelter in Nevada, the deepest archaeological rockshelter in the Americas. He has also taught at Columbia University, New York University, University of California (Davis), University of Florida, University of Nevada, and the City College of New York. Thomas is the author of over 30 books, including St. Catherines: An Island in Time (University of Georgia Press, 2010) and Skull Wars (Basic Books, 2001).
Please join us on the porch for an exciting performance by Open the Door for Three! The trio, self-described as a “road-tested, audience-approved, high-octane, fist-in-glove, laughing-out-loud trio of Irish musicians,” consists of Liz Knowles, Pat Broaders, and Kieran O’Hare. The trio takes its name from an old Irish slip jig which they regularly perform. Liz has also assembled an impressive CV as a solo performer, appearing with the New York Pops, Cherish the Ladies, and the Celtic Legends.
Traditional blues and bluegrass performer Jerron “Blind Boy” Paxton will open with songs and stories about the black roots of the banjo. This performance, which is free and open to the public, was made possible through the NEA-funded Black and Global Roots project, with support from Carolina Seminars and the Friday Center. Bring a picnic blanket and stay for a while!
Please join us at the Center for a lunchtime discussion with Kathleen DuVal, Associate Professor of History at UNC-Chapel Hill. DuVal’s talk, titled “Independence Lost: The Gulf Coast in the American Revolution,” focuses on the Revolutionary War on the Gulf Coast. There, Spaniards, Britons, Creeks, Chickasaws, Choctaws, Acadians, enslaved and free African Americans, and others—but not American revolutionaries—took advantage of the war to forward their own ambitions. Based on her research for a forthcoming book by the same title, “Independence Lost” tells an alternative story of the American Revolution with unexpected actors, forgotten events, and surprising consequences, including incorporation into a rising American republic.
A light lunch will be provided. Please RSVP to email@example.com.
When self-described “North Carolina-born banjoist, fiddler, singer-songwriter and nomad” Joe Troop graduated from UNC and moved to Buenos Aires, says his bandmate Diego Sánchez, “he ruined everything.” Before that, Sánchez had claimed to be “the only banjo player in Argentina.”
Now the acoustic world-music duo is returning stateside for their first U.S. tour, funded in part by a Kickstarter campaign. Join us on the porch at the Love House for a blend of traditional North Carolina and Latin American music, inspired at Carolina and perfected 5,000 miles away. This event is free and open to the public. Bring a picnic blanket and stay for a while!!
In her Hutchins Lecture, titled “Tracing Atlantic Revolutions: One Family’s Itinerary,” Professor Scott will talk about the research that went into the writing of her recent book (coauthored with Jean M. Hébrard) Freedom Papers: An Atlantic Odyssey in the Age of Emancipation (Harvard UP, 2012; paperback, August 2014), which traces one family’s interaction with law and official documents across five generations. The story begins in West Africa with the enslavement of a woman named Rosalie, then follows her to the French Caribbean at the time of the Haitian Revolution. Rosalie’s daughter Elisabeth later settled in Louisiana, but in the face of hostility to free persons of color, the family migrated to France. Two of Elisabeth’s sons then returned to Louisiana to become equal-rights activists during the Civil War and Reconstruction. Piecing together this family’s history helps to place Reconstruction in the southern United States into a transnational perspective, with threads continuing into 20th-century Europe. This lecture will be held at the Pleasants Room in UNC’s Wilson Library.
Rebecca J. Scott is the Charles Gibson Distinguished University Professor of History and Professor of Law at the University of Michigan. At the Law School, she teaches a course on civil rights and the boundaries of citizenship in historical perspective, as well as a seminar on the law in slavery and freedom. Freedom Papers has been awarded the 2012 Albert Beveridge Book Award in American History and the James Rawley Book Prize in Atlantic History, both from the American Historical Association. The book also has been awarded the 2013 Chinard Prize from the Society for French Historical Studies and the Institut Français d’Amerique. Scott received an AB from Radcliffe College, an MPhil in economic history from the London School of Economics, and a PhD in history from Princeton University. She has held the Guggenheim Fellowship and is a member of the American Academy of Arts and Sciences.