Posts from the ‘Multimedia’ Category
Panel Discussion: From George Wallace to New Orleans After Katrina: Southern Race and Politics on Film
Please join us in the Freedom Forum on Tuesday, November 18 at 4:30 pm for a panel discussion, using documentary films as the starting point for a larger conversation about how race relations have unfolded in Southern politics. Sharing clips from their own work, our guests will engage the legacies of African Americans who directly challenged Jim Crow, white segregationists who resisted those challenges, and political actors of all races and approaches. The panelists will explore what has and has not changed in this country’s reckoning with civil rights and racial equality.
This panel, moderated by Malinda Maynor Lowery (Director, Southern Oral History Program, UNC-Chapel Hill), is co-sponsored by the Southern Oral History Program, the Southern Documentary Fund, and Duke’s Center for Documentary Studies.
A new, free, six-week online course that explores the stories, music and art of the American South will be offered Oct. 13 to Nov. 28, developed and taught by the Center’s Senior Associate Director, William R. Ferris, in conjunction with the William and Ida Friday Center for Continuing Education.
About the Course:
This course explores the stories, music, and art of the American South and considers how they serve as a window on the region’s history and culture. We will see how the region’s distinctive sense of place defines music and literature in each generation. From small farms to urban neighborhoods, from the region itself to more distant worlds of the southern diaspora, stories, music, and art chronicle places and the people who live within them.
Our course explores the nature of oral tradition and how its study can provide a methodology for understanding Southern literature. We will discuss Southern artists and photographers and will show how the history and traditions of the South influences their work. We will consider the work of Southern Writers and discuss how they utilize specific stories, music, and art as a structure for literary forms such as the novel and the short story. Lastly, we look into the rich history of southern music and its roots in work chants, fife and drum, and one-strand on the wall musics.
For more information, and to register for free, visit: www.coursera.org/course/south.
On Friday, July 11, the 2014 Moxie Scholars presented a short video, a group mural, and an interactive dialogue with participants from the summer seminar. These six undergraduates discussed their internships with community organizations in the Triangle area, as well as their study of the history of women’s rights. They unveiled a collectively painted mural of Ella Baker, reflecting Baker’s philosophy of participatory democracy and her work as a Chapel Hill-based organizer during the Civil Rights Movement.
Available for download now on your favorite eReader via SouthernCultures.org/BF20.
Renowned folklorist William R. Ferris has captured the voices of southern musicians, artists, writers, and thinkers for forty years—and we have been proud to publish his work in Southern Cultures for nearly half of that time.
To celebrate Southern Cultures‘s 20th anniversary, we present our inaugural special omnibus ebook, The William R. Ferris Reader. Collected here for the first time are all 20 of Bill Ferris’s essays and interviews as they have appeared in our pages between 1995 and 2013, as well as an introduction to the collection by Ferris.
From folk humor to moon pies to Faulkner, Welty, Walker, and so much more, we are delighted to share this special collection of a favored friend, mentor, and colleague.